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That old feeling"That Old Feeling" is a popular song written by Sammy Fain, with lyrics by Lew Brown. It was published in 1937.
The song first appeared in the movie Vogues of 1938, actually released in 1937. It was immediately a hit in a version recorded by Shep Fields and His Rippling Rhythm Orchestra, considered to have spent fourteen weeks on the charts in 1937, four at #1. (The charts did not actually exist in those days, but reconstructions of what they would have been give those statistics.) A version was also recorded by Jan Garber, which charted at #10.)
In 1952, it was included in the Susan Hayward movie, With a Song in My Heart where Jane Froman sang it in a dubbing for Hayward. Patti Page, as well as Frankie Laine and Buck Clayton, had hit versions of the song in 1955. Frank Sinatra had a hit with the song in 1960.
The song is also featured in the 1981 film, Body Heat, played at an outdoor summer concert by a big band on stage.
In the 1971 novel Summer of '42 by Herman Raucher, the song is prominent in chapter 19. That's when the main character, Hermie, visits Dorothy shortly after she has received the news of her husband's death in World War II. The song clearly was the favorite of Dorothy and her husband, and she dances with Hermie as the phonograph record plays.
The title of the song was given to a film in 1997, starring Bette Midler and Dennis Farina, where it was performed by Patrick Williams and by Louis Armstrong and Oscar Peterson.
Thanks for the memories"Thanks for the Memory" (1938) is a popular song, with music composed by Ralph Rainger and lyrics by Leo Robin. It was introduced in the 1938 film The Big Broadcast of 1938 by Bob Hope and Shirley Ross, and recorded by Shep Fields and His Orchestra with vocals by Bob Goday. Dorothy Lamour's solo recording of the song was also popular, and has led to many mistakenly believing over the years that it was she, and Hope, who sang the tune in the film (in which Lamour also appeared).
In the film, Ross and Hope's characters are a divorced couple who encounter each other aboard a ship. Near the film's end they poignantly sing one of the many versions of this song, recalling the ups and downs of their relationship (then they decide to get back together).
The song won the Academy Award for Best Original Song, and became Hope's signature tune, with many different lyrics adapted to any situation. In 2004 it finished #63 on AFI's 100 Years...100 Songs survey of top tunes in American cinema.
The song is often regarded as a companion piece to "Two Sleepy People", written in September 1938 by Hoagy Carmichael with lyrics by Frank Loesser, also performed by Bob Hope and Shirley Ross in the movie Thanks for the Memory which appeared in 1939, taking its title from the success of the song
Sweet Leilani"Sweet Leilani" is a song featured in the 1937 film, Waikiki Wedding. It won the Academy Award for Best Original Song, and Bing Crosby's record became one of the biggest hits of 1937.
Harry Owens wrote the song on October 20, 1934 for his daughter Leilani, who was born the previous day. Leilani is a popular Hawaiian name, meaning "heavenly garland of flowers" (not "heavenly flower"). It also has a figurative meaning: Small Hawaiian children were carried on their parents' shoulders like a lei (garland), so the name took on the meaning "heavenly child."
Prior to Waikiki Wedding, the song had been recorded by Sol Hoʻopiʻi under the title "Leilani" as the B-side of "Hawaiian Honeymoon" (Brunswick Records 55085).
Harry Owens and his Royal Hawaiians performed "Sweet Leilani" in the 1938 film Cocoanut Grove starring Fred MacMurray
Peace in the valley"Peace in the Valley" is a 1937 song written by Thomas A. Dorsey, originally for Mahalia Jackson. The song became a hit in 1951 for Red Foley and the Sunshine Boys, reaching number seven on the Country & Western Best Seller chart. It was among the first gospel recordings to sell one million copies. Foley's version was a 2006 entry into the Library of Congress' National Recording Registry.
In 1950 it was one of the first songs recorded by a young Sam Cooke, during his tenure as lead singer of the Soul Stirrers.
After the success of Red Foley's interpretation, Jo Stafford recorded the song for her 1954 gospel album Garden of Prayer. Because of the rendition by Elvis Presley (with backing by the Jordanaires on his first Christmas album) in 1957 the song forever became a country-pop favorite. Since then it was recorded by: Little Richard on his 1961 Quincy Jones-produced gospel album It's Real, Connie Francis on her 1961 album Sing Along with Connie Francis; George Jones on his 1962 album Homecoming in Heaven; Johnny Cash on his At San Quentin live album; Loretta Lynn; Dolly Parton; Screaming Trees, as a B-side to their "Dollar Bill" single; Ronnie Milsap; Art Greenhaw with the Jordanaires, Tom Brumley and the Light Crust Doughboys for the Grammy-Nominated album starring Ann-Margret titled God Is Love: The Gospel Sessions and Faith Hill, for a concert special.
"Peace in the Valley" was sung by Eddie Clendening, portraying Elvis Presley, in the Broadway musical Million Dollar Quartet, which opened in New York in April 2010. Eddie Clendening also covered the song on the Million Dollar Quartet original Broadway cast album.
Owl Hetherington (I Love To Singa)I Love to Singa is a Merrie Melodies animated cartoon directed by Tex Avery, produced by Leon Schlesinger, and released to theaters on July 18, 1936, by Warner Bros. and Vitaphone. As with many early Warners cartoons, it is in a sense a music video designed to push a song from the Warners library.
The song in question, "I Love to Singa", was first written by Harold Arlen and E.Y. Harburg for the 1936 Warner Bros. feature-length film The Singing Kid. It is performed three times in the film: first by Al Jolson and Cab Calloway, then by the Yacht Club Boys and Jolson, and finally again by Calloway and Jolson. During this period, it was customary for Warners to have their animation production partner, Leon Schlesinger Productions, make Merrie Melodies cartoons based upon songs from their features.
The cartoon has, in recent years, taken on something of a cult following, with a pervasive impact on popular culture. The short, one of the earliest Merrie Melodies produced in Technicolor's 3-strip process, is recognized as one of Avery's early masterpieces.
Once in a while"Once in a While" is a popular song, written by Michael Edwards with lyrics by Bud Green. The song was published in 1937.
The song is a much-recorded standard. Tommy Dorsey's recording in 1937 went to number one in the United States. One of the best-known recordings was made by Patti Page in 1952 (on Mercury 5867). The song was revived in doo-wop style by the Chimes in 1960, and their version peaked at number eleven on the Billboard Hot 100 in January 1961
My funny valentine"My Funny Valentine" is a show tune from the 1937 Richard Rodgers and Lorenz Hart musical Babes in Arms in which it was introduced by former child star Mitzi Green. The song became a popular jazz standard, appearing on over 1300 albums performed by over 600 artists. In 2015 it was announced that the Gerry Mulligan quartet featuring Chet Baker's version of the song was inducted into the Library of Congress's National Recording Registry for the song's "cultural, artistic and/or historical significance to American society and the nation’s audio legacy"
Let's call the whole thing off"Let's Call the Whole Thing Off" is a song written by George Gershwin and Ira Gershwin for the 1937 film Shall We Dance, where it was introduced by Fred Astaire and Ginger Rogers as part of a celebrated dance duet on roller skates. The song is most famous for its “You like to-may-toes /təˈmeɪtoʊz/ and I like to-mah-toes /təˈmɑːtoʊz/” and other verses comparing their different regional dialects.
The differences in pronunciation are not simply regional, however, but serve more specifically to identify class differences. At the time, typical American pronunciations were considered less "refined" by the upper-class, and there was a specific emphasis on the "broader" a sound. This class distinction with respect to pronunciation has been retained in caricatures, especially in the theater, where the longer a pronunciation is most strongly associated with the word "darling."
The song was ranked No. 34 on AFI's 100 Years...100 Songs.