Last spotted on the label just two months ago, Bruno Furlan has made such a strong impression at Dirtybird Headquarters heÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢s already back with two more premium productions. Hell, heÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢s made such an impression theyÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢re calling him ÃƒÂ¢Ã¢â€šÂ¬Ã‹Å“DirtyboyÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢.
This time BrunoÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢s brought a wingman: Kyle Watson. Last spotted on the labelÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢s festive 7 Days Of Dirtybird project just over a year ago (and featured on Simma Black, This AinÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢t Bristol and Bunny Tiger since), the South African artistÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢s signature complements BrunoÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢s skills toe-to-toe as the two dance a provocative techfunk dance.
ÃƒÂ¢Ã¢â€šÂ¬Ã‹Å“MarshmallowsÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢ was made with Dirtybird in mind. Duly road tested by VonStroke, the click-slap drums, bulbous postcode-exclusive bassline and rippling, rising chords sealed the deal on the spot. ÃƒÂ¢Ã¢â€šÂ¬Ã‹Å“But Why?ÃƒÂ¢Ã¢â€šÂ¬Ã¢â€žÂ¢ plays the consummate track two: Fusing a snake-charming hook, a rubber ball bassline, the pendulum hook and twisted vocal percussive elements, it asks way more questions than it answers.
Do you have any questions?
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